![]() ![]() “Once the face starts to move and interact with the environment and with light, it’s pretty easy for things to go off the tracks. “It turns out that you can come by a likeness of a character very quickly, but holding on to that likeness under all circumstances is extremely difficult,” says Weta VFX supervisor Guy Williams. The standard of accuracy the crew had to meet was high - millions had watched young Smith on “The Fresh Prince of Bel-Air,” after all, and any missteps would be immediately obvious. “You can’t fake what Will Smith gives you in his performances - all the emotion and things that draw you into the story.”īefore shooting with Smith, an experienced team of VFX artists at Weta Digital started gathering all the reference material on the actor it could find and built a digital version of him, down to the pores. /rebates/2fgemini-man-2109642fcast-and-crew&. “Ultimately, what drives this is Will Smith giving two incredible performances as the older assassin and as Junior,” says Westenhofer. ![]() Smith performed both roles, with Weta de-aging the younger character using effects and digital mapping. Smith worked on set with an actor named Victor Hugo, playing off him, and the VFX team spent a great deal of time with the footage even before the effects artists and animators came in to do their thing, says Westenhofer. “It’s what I call a symphony of things that work together to convince us that we’re looking at a human,” says Bill Westenhofer, the movie’s VFX supervisor and an Oscar winner for his contributions to Lee’s “The Life of Pi.” “It’s all the micro-expressions that someone makes when you’re talking to them it’s the melanin in the skin and how the light interacts with the skin.” Pulling off the task requires extreme attention to a wide range of variables. ![]()
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